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The SF Museum of Modern Art's 2022 SECA Art Award celebrates Maria A. Guzmán Capron (MFA Fine Arts 2015) and Gregory Rick (BFA Painting & Drawing 2019) alongside faculty members Cathy Lu and Marcel Pardo Ariza.

In a profile on her rapidly growing career, Trina Michelle Robinson (MFA Fine Arts 2022) describes how she has reclaimed cotton to tell a new kind of story.

"It evolves. It lays out a polyrhythm of events and exhibitions, but rarely repeats itself," says the New York Times, in their Critic's Notebook of Drum Listens to Heart at the Wattis Institute.

Black Lives 1900: W.E.B. Du Bois at the Paris Exposition edited by Julian Rothenstein, with an introduction by Jacqueline Francis and Stephen G. Hall

Asian Art Museum’s virtual ‘Queer Pasts and Futures’ showcases History of Art and Visual Culture Associate Professor Việt Lê's and Humanities and Sciences Dean TT Takemoto’s LGBTQ-centering experimental films.

Associate Professor Việt Lê' released Return Engagements: Contemporary Art's Traumas of Modernity and History in Sài Gòn and Phnom Penh through Duke Press.

Artsy Vanguard annually features rising talents around the globe, and the 2022 list highlights Capron's (MFA Fine Arts 2015) “exuberant, otherworldly figures.”

Lindsay Stripling's magical-realist illustration style is inspired by her studies in black-and-white photography and hyperrealist painting. Learn more about her exploration of natural and psychological themes.

In conversation with architect Jeanne Gang, Urban Design critic John King explores the history and potential of CCA’s campus expansion as construction begins on its centerpiece, Gang’s innovative “Double Ground” campus.

With a major new exhibition, artist-activist Thomas continues to confront today's most divisive issues—violence, racism, polarization—in hopes of inspiring mutual understanding and positive solutions.

In recognition of the depth of their artistic vision, Teresa Baker (MFA Fine Arts 2013) and Amaryllis DeJesus Moleski (BFA Painting and Drawing 2014) are among 15 recipients to earn this year's impactful fellowship.

TT Takemoto, Dean of Humanities and Sciences division, screened their film Looking for Jiro at documenta fifteen for a two-day gathering on Asian Diaspora/American through the lens of gender, humor, and solidarity.

“Terra Incognita” is the first museum show to focus on painter [and CCA Associate Professor of Painting and Drawing] David Huffman’s deeply engaging “Traumanaut” works ... that he began in the early 1990s.

With an ongoing commitment to democratic engagement and creative activism, CCA made the 2022 honor roll among universities "doing the most to turn students into citizens."

Through TBD*, CCA’s in-house student design studio, Hyunsoo Kang's and Walker Lambert's quintessentially San Francisco designs offer transit riders "a slice of joy and color" with an AR twist.

The New York Times spotlights Gender Queer, a graphic novel about coming out as nonbinary, and how it landed Maia Kobabe at the center of a battle over which books belong in schools.

CCA Illustration worked alongside Salma AlGamal, a Fulbright scholar from Alexandria, Egypt to develop her concepts and portfolio as an Illustrator.

From the selection committee: “The stories of Rita Bullwinkel glimmer like objects in a wunderkammer that shift their shapes when taken up in the hand...she sounds simply like herself and nobody else.”

CCA faculty Janette Kim, Brendon Levitt, and James Graham win the Buell Prize for course development in architecture, climate change, and society at ASCA, the international association of architecture schools.

Other Ever Afters is a new graphic novel by MFA in Comics adjunct professor Melanie Gillman is a collection of feminist, queer original fairy tales.