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Through community work, asking critical questions, and embracing full-circle materiality, CCA’s Furniture program builds values of equity and sustainability into new spaces.

CCA alum and faculty member Breena Nuñez’s comic detailing how daily life has changed during the COVID-19 pandemic was featured in the New Yorker's “Daily Shouts” column.

The Rubber Impact Project is interested in junk—specifically, the inner tubes of well-tread rubber tires, which they are transforming into sustainable treasure.

From face shields to face masks, faculty, alumni, and staff are contributing their time and talent to address nationwide shortages of personal protective equipment.

To mark Earth Day’s 50th anniversary, How We Hear Now invites participants to record the unique sound of their environments.

From gripping memoirs to enduring works of fiction, this list of written works from CCA alumni will help you get through shelter in place.

Illustration Chair Owen Smith is grabbing national attention for his recent New Yorker cover, which independent news outlet 48 Hills called “devastating” and “beautiful.”

Explore the college’s most prominent geographic decisions, which prove CCA has never shied away from change.

New campus housing and dining in San Francisco, opening fall 2020, make CCA a full residential campus for the first time in its history.

Learn how the Oakland Campus Legacy Committee is working to archive the campus’s rich history and bring its unique spirit to San Francisco.

Jeanne Gang and President Stephen Beal discuss the intentionality behind Double Ground, the concept that will physically unite CCA in San Francisco.

Student-run teams put their new and innovative business ideas to the test at �Ӱɴ�ý’ inaugural CCA Sparks Pitch Day event.

Illustration Chair Owen Smith discusses the inspiration behind his cover for the April 20, 2020, issue of the New Yorker.