�Ӱɴ�ý

The Wattis staff share some of their favorite videos, essays, and performances available through the free digital library.

Deborah Stein’s Diachronic course discovers a common thread over three generations.

The San Francisco Chronicle talked to CCA’s Yesenia Villaseñor (BFA Fashion Design 2020) about how graduating fashion design students pivoted to create their thesis collections from home during the COVID-19 pandemic.

Archaeological testing on CCA’s Backlot made the exciting discovery of organic materials that signify human activity, including tool making, from almost 7,500 years ago.

An innovative cantilevered pedestrian bridge and elevated park concept by CCA alum Rosannah Harding (BArch 2007) and Matthew Ostrow of HardingOstrow won the $10,000 Forge Prize at a judging event streamed live on YouTube.

The San Francisco Examiner featured CCA’s Class of 2020 Showcase in its roundup of how San Francisco art schools are highlighting student work online.

Art in America spoke with artist Diedrick Brackens (MFA Fine Arts 2014) about his solo exhibition “blessed are the mosquitoes,” how he discovered weaving and his time studying with Josh Faught at CCA.

The Class of 2020 Showcase highlights the work of over 300 graduating students in CCA’s 22 undergraduate and 11 graduate programs.

The Class of 2020 Showcase brings the work of over 300 students across the Fine Arts, Architecture, Design, and Humanities and Sciences divisions to visitors’ homes while CCA’s campus is closed.

The Word for World is Forest, a project curated by CCA’s Curatorial Practice graduate program Class of 2020, is on view at wattis.org May 14–September 14, 2020.

CCA’s Decolonial School focuses on how to relate diversity, inclusion, and equity to artistic and design practice.

Through community work, asking critical questions, and embracing full-circle materiality, CCA’s Furniture program builds values of equity and sustainability into new spaces.

CCA alum and faculty member Breena Nuñez’s comic detailing how daily life has changed during the COVID-19 pandemic was featured in the New Yorker's “Daily Shouts” column.